Framed Ink

Framed Ink

Drawing and Composition for Visual Storytellers
5.03 Reviews
R 38.05
🚚 Ships in 3-5 work days

Drawing and Composition for Visual Storytellers

🛡️
Warranty
Non-Returnable.

Product Information

SKU34553736
Stock StatusIn Stock
Safe Checkout

The ultimate guide to visual storytelling. Using his experiences from working in the comic book industry, movie studios and teaching, the author introduces a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.
The ultimate guide to visual storytelling! How to make the audience ""feel"" the story while they are ""reading"" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.

After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house.

In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.

The ultimate guide to visual storytelling. Using his experiences from working in the comic book industry, movie studios and teaching, the author introduces a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.
The ultimate guide to visual storytelling! How to make the audience ""feel"" the story while they are ""reading"" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.

After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house.

In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.